Siena Cathedral is dedicated to Santa Maria Assunta, and its interior unfolds as a sequence of distinct works. The marble pavement is a many-generation project: its inlay and graffito programme began in the 14th century, reached fifty-six panels and was completed in the 19th. The operator announces limited viewing periods; in 2026, the floor is scheduled to be uncovered from 27 June to 31 July and again from 18 August to 15 November.
Look up from the floor to Nicola Pisano’s pulpit in the north transept, then find the Piccolomini Altar and Donatello’s Saint John in the Cathedral. Beside the church, the Piccolomini Library shifts the mood to the Renaissance: Cardinal Francesco Todeschini Piccolomini commissioned it around 1492 to honour his uncle, Pope Pius II, and Pinturicchio and his workshop painted ten scenes from Pius’s life between 1503 and 1508.
The larger managed complex continues into the unfinished New Cathedral, begun in 1339 and halted after the Black Death of 1348. Its surviving bays now house Museo dell’Opera. There you will find Duccio’s Maestà and Giovanni Pisano’s original façade sculptures, replaced on the Cathedral by copies. The museum, Crypt, Baptistry, Facciatone panorama and Gate of Heaven are distinct visits, each with its own access and ticket considerations.
UNESCO lists Siena’s historic centre as a World Heritage property, placing the Cathedral within the city’s wider medieval fabric rather than naming it as a separate inscription. For the civic heart around the Duomo, continue to our Piazza del Campo guide; our Siena guide connects the Cathedral with the rest of the city.








