An inscription on the chapel’s main door records Alessandro di Sangro’s 1613 dedication of the temple to the Virgin as a burial place for himself and his family. Its present arrangement was largely created when Raimondo di Sangro reorganised it from the 1740s.1
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Sansevero Chapel is the di Sangro family’s burial chapel, transformed in the 1740s under Raimondo di Sangro into a tightly conceived artistic programme. It contains Giuseppe Sanmartino’s 1753 Veiled Christ, together with works by Antonio Corradini, Francesco Queirolo and others; its underground Cavea displays Giuseppe Salerno’s Anatomical Machines.
A di Sangro burial chapel and coherent eighteenth-century patronage programme whose popular myths require careful correction.












