Skip to content
A pair of black leather Tod’s Gommino loafers on a wooden bench, showing the penny straps, stitched aprons and rubber pebble soles.

Tod’s Gommino

A loafer shaped by a driving-shoe idea, with rubber studs that became part of Tod’s design vocabulary.

Tod’s retrospective account links the Gommino to a driving shoe Diego Della Valle encountered in the United States. Its first prototype was light, flat and soft, with 133 small rubber studs; a men’s leather reference shows one specific expression of the loafer today.

The essentials

House
Tod's
Category
Loafers
Model family
Gommino

A loafer with a driving-shoe idea

Tod’s retrospective history links the Gommino to a driving shoe Diego Della Valle encountered in an antique shop during a trip to the United States. The house presents that encounter as the starting point for a new loafer: a familiar shoe type reshaped around a lighter, softer profile.1

The small studs in the original design

In Tod’s account, the early prototype was flat, light and soft, sewn by hand and finished with 133 small rubber gommini on the sole.1

An icon in Tod’s design vocabulary

Tod’s Academy’s Legacy project brief names the Gommino Loafer among the house’s iconic pieces. The project invited young designers to reinterpret Tod’s established designs, placing the loafer within a continuing conversation between the company’s codes and new proposals.2

One men’s leather expression

One specific example is men’s reference XXM22L00010N6MB999. This reference has a calfskin upper, strap detail, exposed hand stitching, leather lining and insole, and the signature sole; Tod’s lists it as Made in Italy. Those details belong to this exact reference; its model code is the useful guide when comparing it with other Gommino finishes.3

The upper has its own lines

For XXM22L00010N6MB999, begin above the sole. The calfskin upper carries a strap detail and exposed hand stitching, with leather lining and insole inside. Those lines give the shoe an identity before the small rubber elements enter the view. Follow the seam around the front, then the strap crossing the upper: each describes a different part of the construction, even when the black finish makes the whole surface look continuous.3

A side view and a sole view answer different questions. The first explains the relationship between the leather body and the heel; the second makes the rubber pattern legible. The historical prototype’s 133 gommini belong to its origin story, while this present reference is identified by its model code and documented materials. A cropped heel detail is useful for construction, but cannot count the entire sole or establish how the shoe performs over a day of walking.3

A letter from Italy, once a month.

The places, tables and makers we found worth your time. One email, no noise.

One letter a month. Unsubscribe at any time. We never share your address.