A concise guide to silk from filament to fabric, with notes on finishing, historic weighting and condition-led care.
From filament to yarn
A fibre is not a fabric
Finishing and weighting
Degumming removes sericin, giving silk more lustre and making it more receptive to dye. Some historical silks were then treated with metallic salts to restore lost weight and improve drape. “Weighted silk” names that treatment, not a grade; the Canadian Conservation Institute warns that it can leave old textiles brittle and especially vulnerable to light.1
Care, water and light
Silk fibres lose strength when wet and are sensitive to light. A finished garment also has its own construction, dyes and care instructions, so follow its label. For a historic or fragile textile, ask a qualified conservator before cleaning it; domestic washing and drying appliances can be too rough for delicate fabrics.1,3,4
Follow silk through four forms
A cocoon, a filament, a yarn and a woven cloth are related, but they are not synonyms. Holding those stages apart makes an old textile easier to read: the fibre can be silk while the weight, sheen and pattern depend on later construction and finishing. Historical weighting is a separate treatment question, not something a glossy photograph can diagnose.1,2
| Stage or layer | What it tells you | What it does not prove |
|---|---|---|
| Cocoon and filament | The silkworm's cocoon supplies continuous filaments | A cocoon photo is not a weave diagram |
| Yarn | Filaments are prepared into a thread usable for weaving | Yarn thickness is not fibre identity |
| Fabric and finish | Weave and subsequent treatment shape the cloth's appearance | Sheen does not establish a historic weighting process |
The essentials
- Family
- Animal protein filament
- Forms
- filament, yarn, textile
- Properties
- sensitive to light, weaker when wet, the fabric depends on structure, dye, finish and condition

