Gio Ponti’s work moved between architecture, ceramics, furniture and publishing. From his Richard-Ginori ceramics and the founding of Domus to the Cassina Superleggera and buildings in Milan and Caracas, he joined a broad design practice to close attention to form.
Milan and architectural training
Ceramics for Richard-Ginori
A magazine as a design platform
The 699 Superleggera
Designed for Cassina in 1957, the 699 Superleggera turns a chair into a study of structure and material. The Superleggera has an ash frame, a beech seat frame and legs with an 18-millimetre triangular section; its design combined Ponti’s research with the maker’s experimentation.7
Buildings across scales
Ponti’s buildings include Milan’s first Montecatini office building and the Pirelli skyscraper of 1956–60. From 1952 he worked with engineer Antonio Fornaroli and architect Alberto Rosselli as Studio Ponti Fornaroli Rosselli. His projects of the same decade also included Villa Planchart in Caracas.1,8
A chair, a magazine and a tower: three scales
Ponti’s range becomes clearer when scale changes in front of the reader. Domus carried ideas across architecture and decorative arts; the 699 Superleggera makes one construction problem small enough to examine. The 699 Superleggera has a triangular leg section of 18 millimetres, an ash frame and a beech seat frame. The number refers to that leg section, not the chair’s overall thickness. A photograph of an exact 699 leg would make the slender structure legible; a building photograph can then show that Ponti’s work did not stop at furniture. Keep Cassina’s manufacturing experimentation in the credit: this object is not a solitary sketch turned directly into production.1,7

